See you Later, Grapefruit

Lately, exes have been sneaking into my dreams,
and other places of suspended thought. Like
when I’m swimming laps, my body blue
and liquid as the water holding me.
They wave. They smile. They flicker
along the blue-floor depths of the deep end.

One shows up to ask if I think he’ll look good
with dread locks. Another shows up with his dog
to ask if I still love her. And another

reminds me of the summer he made a movie
in which I played a young girl learning French,
my only lines words I already knew. And because
he was poor, or young, or in a hurry
there was only one take. And because
I was nervous, or lonely, or young
I remembered only two phrases,
which I purred,
again and again,
in my lowest,
breathiest voice,
the way I’d seen Jean Seburg whisper
to Jean-Paul Belmando in Breathless.

And even in the final scene, in which
I was supposed to have been hit by a car and killed,
I wouldn’t die,
but looked straight into the camera
propelled by my too-sudden death —
and kept humming:
à bientôt, pamplemousse, à bientôt.